The Kite Bummer

Say Something Nice

I am revisiting the trauma of thinking about The Kite Runner.  This trying exercise was precipitated by having to decline invitations to book clubs because the next selection for each was The Kite Runner.  Though I have some nice things to say, my feelings are too hostile for my first book club meetings.  But not for this blog. 

What Should Have Bombed

When America becomes embroiled in one of its intractable Wars, some Americans become curious about the society they have forever altered.  The timing of this novel could not have been better: it hit the shelves soon after our troops started looking for cover in Kabul.  Critical of the Taliban (which is a bit like being critical of murder), The Kite Runner portrayed an impoverished society wrecked by its infatuation with violence.

What a relief.  There was nothing for America to mess up.  Newspapers succumbed to the national catharsis and held this tome up to the sun, pronouncing it the Key to Understanding.  What, I thought, is freedom of press worth in the absence of freedom of thought?  But Americans wanted reassurance, not second thoughts.  A New York Times reviewer said it best:  "This powerful first novel . . . tells a story of fierce cruelty and fierce yet redeeming love."  Ah, yes, sometimes to love is to be cruel.  We love you, Afghanistan, even as we destroy you.

Teenage Wasteland

Teenagers live in a world of guaranteed disappointment: the imagined prom night, city lights and a perfect kiss during the perfect song, is replaced by a limo driven by your uncle and a shaving mishap that won't stop bleeding.  America's view of overseas adventures is similarly adolescent: visions of rolling over an inferior opposition is soon replaced by guerilla tactics, monsoons, sand storms, faulty equipment, redeployments, two-faced border states, and unclear enemy targets.

This book, too, suffers from adolescent ideation: it is not so much written in the first person, but the fantasy person.  Characters are character traits - they could carry names like the dwarfs in Snow White - Honorable, Proud, Severe, Empathetic, Savage.  The journey of the ceaselessly grating main character, I would name him Seeking Approval, becomes farcical as coincidences pile up.  In the end, we turned to a novel unmoored from any sense of reality to learn about Afghanistan.  What we got was escapism.  And maybe that was exactly what was wanted.

Hitting Me over the Head

If the author wanted to convey clear lines of good and evil, he did better than any War President could.  The future of the Taliban was embodied by a teenage bully who terrorized the neighborhood with brass knuckles and said things like, "Hitler.  Now, there was a leader.  A great leader."  But wait.  He not only grew up to be a Taliban leader, but also a sodomizing pedophile.  Well, Houston, we have our antagonist.

Don't Throw Rocks in Glass Houses

Stripped of historical-political-religious-exotic-socio context, this novel sucks.  The quality of writing ranges from poor to destitute.  It's the narrator who identifies the virus:

A creative writing teacher at San Jose State used to say about clichés: "Avoid them like the plague."  Then he'd laugh at his own joke.  The class laughed along with him, but I always thought clichés got a bum rap.  Because, often, they're dead-on.

The narrator goes on to contend that there was no better way to explain a meeting with a friend, except to say that, "there was an elephant in the room."  I disagree that referring to an elephant is the best way to show how two characters might avoid saying what needs to be said. But the author drops signposts like breadcrumbs as we follow a path that is not written so much as described.  I also disagree that this was the first time he broke the rule against using clichés.  The man had already been dropping clichés like a horse in a parade.

This reliance on colloquialism is a poor substitute for acute observation.  And as the writer becomes lazy, so does the reader.  At one moment in the novel, "sunlight washed over [the narrator's] face" just as he felt his father's glare on him "like the heat of a blistering sun."  The only reason, I could think, that the editor didn't cast sunlight on this dribble is because he or she had been lulled into submission.  Or realized this book was so riddled with cancer it was inoperable.

An Abridged Compendium of What Annoyed Me

"People," observes the narrator, "say that eyes are windows to the soul."  Is this Chicken Soup for the Soul or a fucking novel?  In this story, sunlight twinkles, trucks lumber, summer days are lazy, achievements are crowning, horses are fleet-footed, kites fall like shooting stars, and beggars are lame and wear rags, and not nice rags, but "tattered rages."  The snoring of the narrator's father sounds like a "growling truck engine."  Later, we discover his father's laughter is "a sound not unlike a truck engine revving up."  Understandably, the publishers nixed the first proposed title, My Life with Someone who Sounds like a Truck.

In winter, snow has "nudged its way into every crack and gutter."  Later on, spring showers had "nudged their way into summer."  "Snow-burdened cypress trees" are "peppered among flat-topped clay houses."  In early summer, the grass was "peppered with tangles of wildflowers."  At one point, the narrator "breathed bricks," whereas at some point he detected a dank smell that "bludgeoned" his nostrils.  I am considering, at this point in the novel, to bludgeon myself.

The Day After

Have you ever been captivated and moved by someone down and out, and, after you had given him or her five dollars and thought about his or her story a bit, felt betrayed and used?  I felt that way here.  Except it wasn't five dollars, but $14.95.  The Kite Runner is a gripping novel that gripped the American public.  We are not better for it.

Spoiler Alert: Jesus was Killed, but then Resurrected

Wrapping up my Having Touched the Face of God Tour, I had a few days to kill before embarking on my Manifest Destiny Tour.  In the brief interim, I attended the Wisconsin Book Festival, and was left with a lasting impression concerning the matter of spoilers.

Spoiler Alert: I love spoilers.  Does the Old Man get the fish?  Does Luke kill Vader?  Does Juliet get Romeo? Does Seabiscuit win?  Oh, do tell.

J'accuse

Under the shadow of a "milwaukee blogger's" accusation that she had a tendency to give too much away, author Daphne Beal expressed nervousness about reading an excerpt from the latter half of her novel.  Was this an effort to connect with the audience?  Did she suffer from outsized self-importance?  Did she think this little nervous act cute?

No to all.  Unlike me, she had faced that loose confederacy roaming reading festivals, their hatred over the spoliation of novels equaled only by their desire for the opportunity to be indignant.  I only had to wait another day.

Disclosure

I am a book festival virgin.  Being touched for the very first time, I felt something thaw out that had been scared and cold.

Interesting side comment

The Wisconsin Book Festival concocts a theme for each panel of readers, attempting to link what a sane person would identify as disparate novels: loving and leaving the Tri-State Area; railroads and sexual mores in the 19th century; when predator becomes prey, and vice-versa. These themes proved to be as arbitrary as they were useless.

It was a clear Sunday afternoon . . . 

. . . when I biked over to the Orpheum Theatre to see CJ Hribal.  I expected a tribal-like gathering.  I had yet to see a turnout that would rival that of a Rocky Horror Picture Show matinee.  The auditorium, however, was packed and pungent - reminiscent of Longs Drugs on Senior Tuesday.  Folk smoldered over my not being there a half-hour early.

The "theme" was How Ya Gonna Keep 'em Down on the Farm?  I am not from real America. But authors CJ Gribal and Michael Perry seemed cut from the Jeffersonian mold: they sought an undistracted inner life and found answers sprout from cultivating the land.  A commanding presence, CJ Hribal offered up an affecting piece on the inevitability of injuring those we love. Michael Perry's account of farming life was like drinking hot cocoa on a wet day.

If the third author had lived on a farm, he had left and never looked back.  I looked down at my packet.  David Wroblewski.  My eyes widened.  "Oprah's latest author."

To hushed intensity, Mr. Wroblewski began reading a chapter written from the point of view of a dog.  I liked Old Yeller, Where the Red Fern Grows, and even The Trouble with Tuck - where a dog was a dog and loved for being a dog.  But something was wrong.  This dog, was, well, politically correct.

One cannot write for Oprah and expect to be chosen.  But one can write for Oprah.  It is no secret Oprah loves dogs.  And because of Oprah, dogs are better off.  And because of Oprah, so was Mr. Wroblewski.  Well, I thought, woof, woof, woof.

Calling Mr. Wroblewski

All questions in the swollen auditorium were for Mr. Wroblewski.  He had made the trip into a dog's consciousness.  He had been to the mountaintop.  Speak, diviner of dog thoughts!

He talked of inspiration.  His parents had purchased a farm, failed at farming, and turned to kennels.  "So," he says, "I grew up around dogs [insert thoughtful pause] dogs that, well, weren't necessarily obedient."  Oooohs, uhhhs, and mmms of deeply felt satisfaction followed this profundity.

Where was Werner Herzog?

I wished for Werner Herzog to emerge, like a dark angel: "you give much to zees dog of yours, no?  When I look into zee eyes of a dog, I see ze love for meat.  Appetite, Mr. Wroblewski, appetite, defines nature.  And zees dog of yours iz no exception.  Your dog, it wants meat."

"But!" someone would scream.  "My dog cares for me!"

"No!" would boom Mr. Herzog.  "You are nothing but a purveyor of meat!"

But Herzog did not show, and, as the insightful CJ Hribal and Michael Perry shrunk into the shadows, the dogs ran wild.  What, you might be asking, does this have to do with spoilers?  Relax.  I don't want to spoil the surprise.

Torches and pitchforks

Mr. Wroblewski was a master of the demographic.  "After years of being away, I finally, wherever I go, proudly identify myself as a Midwesterner."  Subdued hysteria particular to the Midwest ensued.  Most did not hear his whispered caveat, "where appropriate."

Mr. Wroblewski was flying as high as Icarus when a woman raised her hand.

"What," she asked, "happens to the dog?"  A tsunami of grumbles suggesting impending violence rose up around the woman.  I looked for an exit.

"Who," he asked, playing with fire, "doesn't want me to answer that?"  The arms of the agitated reached for the sky, some holding up two hands to over-represent the crushing majority.

"Don't answer that question!" commanded a lady, serious as the plague.

"I," he said courageously, "have never been a fan of spoilers."  People clapped and hooted as Molotov cocktails were returned to Farmers' Market satchels.

What I would say if I wanted to die by way of mob

If, I wanted to ask audience members, I told you that you were going to die, would that make your life not worth living?  One doesn't go to church and say, I know Jesus died . . . can we hear something else?  If knowing the cliff notes of a book really ruins the book, I suggest the book isn't worth reading.  And if you attend a reading, then it should be at your own risk.  And if that doesn't make you feel better . . . just remember, old books are like old friends.

To conclude

Does the Old Man get the fish?  He gets respect.  Does Juliet get Romeo?  She did at first glance.  Does Luke kill Vader?  Vader killed Vader.  Does Seabiscuit win?  Wondering whether Seabisquit might lose is like wondering whether Bond gets the girl.

Photos: Werner Herzog (romiphoto)